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Episode
Highlander Zen Philosophy: What Do Polish Highlanders Teach Buddhist Monks? Józef Broda
~61 min
Episode Brief·YouTube

Highlander Zen Philosophy: What Do Polish Highlanders Teach Buddhist Monks? Józef Broda

Cyprian Majcher
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TL;DR

The four things you'd lose by not watching

4 items

TL;DR

The four things you'd lose by not watching

4 items
1

Józef Broda, an 86-year-old Polish Highlander, philosopher, and multi-instrumentalist, argues that modern civilization ('thumb civilization') disconnects us from the 'first elements' of nature, and that true education is about reawakening a child-like state of wonder.

2

He demonstrates his philosophy through interactive music-making, using simple instruments like a blade of grass or a leaf to teach children (and adults) about connection, listening, and the 'Unison'—a moment of perfect harmony between people.

3

Broda shares his personal practice of 'self-awakening' ('samowzbudność') to combat the despair of loss and aging, describing a profound near-death-like experience of 'nothingness' that reinforced his faith and need for human connection.

4

He critiques the dehumanizing language of 'human resources' and the 'rat race' of modern life, advocating instead for a return to seeing each person as an unrepeatable 'person' and leaving behind 'caught moments' rather than just material wealth.

Protocols

Concrete recipes — what, when, how much, and why

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The 'Self-Awakening' (Samowzbudność) Practice

WhatA daily, conscious act of will to lift one's own spirits, find purpose, and choose life, especially when facing despair, loss, or the challenges of old age.
WhenDaily, particularly upon waking or during moments of deep sadness and meaninglessness.
DoseA continuous, ongoing effort; a 'fight with oneself.'
For whomBroda (personal practice), recommended for anyone, especially those over 70 facing loss and mortality.
WhyTo combat the 'mole's hole' of despair and the terrifying 'nothingness' that can lead to a loss of the will to live. It's a way to reconnect with the joy of existence.
CaveatsIt is a difficult, ongoing struggle, not a one-time fix. It requires confronting deep pain and meaninglessness.

This practice is the culmination of Broda's life philosophy. After the death of his wife of 53 years, he fell into a deep crisis. He describes a terrifying experience of 'nothingness' during a pain attack, which he interprets as a vision of hell—the absolute absence of another person. 'Samowzbudność' is his active, willed response to this. It's not passive optimism but a forceful decision to 'raise one's head,' to smile at oneself in the mirror, to thank God for the ability to touch one's own face, and to actively seek out encounters that give life meaning. He credits the interview itself as an act of 'samowzbudność,' stating that the host gave him more than he could give, providing a reason to want to get up the next morning.

Personal experience

Broda explicitly states this is his personal practice. He describes the daily struggle upon returning to his empty home, the temptation of the 'mole's hole,' and the need to actively fight it. He shares a story of fighting off a severe pain attack without medication, which led to his vision of 'nothingness,' reinforcing his need for this practice.

Jak będziesz miał te 80 lat, czy może po 70, musisz się nauczyć samowzbudności. (When you are 80, or maybe after 70, you have to learn self-awakening.)

Also said
“Boże, odciągnij mnie od zaglądania do kreciej dziury, bo to się zaczyna początek odchodzenia. (God, pull me away from looking into the mole's hole, because that is the beginning of departure.)”— Explains the negative force this practice is designed to counter.

What's new

Personal practice updates, fresh positions, predictions

2 items

The Philosophy of 'Self-Awakening' (Samowzbudność)

final third of the interview

Broda introduces the concept of 'samowzbudność' (self-awakening), a personal practice of consciously lifting one's spirits and finding the will to live, especially in the face of profound loss and old age.

Why this matters: This is a deeply personal and hard-won philosophy from an 86-year-old man who lost his wife after 53 years. It's a practical, non-religious term he coined to describe the daily fight against despair.

Background

After his wife's death, Broda sought psychiatric help and struggled with the 'sense of the meaninglessness of existence.' He describes a terrifying experience of 'nothingness' that he interprets as a glimpse of hell. 'Samowzbudność' is his antidote—a conscious, forceful act of will to choose life and connection.

Broda frames 'samowzbudność' as a crucial skill to develop by the age of 70 or 80. It is the ability to 'raise one's head' when you start to lose your sense of purpose, especially after losing a life partner. He describes the alternative as 'looking into the mole's hole'—a metaphor for the beginning of the end, a descent into non-existence. He shares a harrowing personal story of a recurring pain that felt like being impaled, which he fought off by sheer will, refusing to take a painkiller until he passed out. In that state, he experienced a terrifying 'nothing'—neither big nor small, light nor dark—which he identifies as the true hell: the absence of another person. This experience, paradoxically, reinforced his faith and his understanding that hell is the lack of connection. 'Samowzbudność' is therefore not just positive thinking; it's a vital, life-saving struggle against this 'nothingness' by actively seeking connection and purpose, often through encounters like the one he had with the host.

Personal experience

Broda explicitly states that after the interview, he will be happier and want to get up in the morning. However, he admits that when he returns to his empty home, he must 'fight with himself' to find this 'samowzbudność' again. He describes the 'mole's hole' as the temptation to give up, and he prays to be pulled away from it.

Jak będziesz miał te 80 lat, czy może po 70, musisz się nauczyć samowzbudności. (When you are 80, or maybe after 70, you have to learn self-awakening.)

Also said
“Boże, odciągnij mnie od zaglądania do kreciej dziury, bo to się zaczyna początek odchodzenia. (God, pull me away from looking into the mole's hole, because that is the beginning of departure.)”— Explains the metaphor for the despair he fights against.
“Straszne, nic. Piekło, piekło. Tak może wyglądać piekło. Nic, nic. To było przerażające. (Terrible, nothing. Hell, hell. This is what hell can look like. Nothing, nothing. It was terrifying.)”— Describes his near-death/pain-induced vision of 'nothingness' that his philosophy is designed to combat.

Critique of 'Human Resources' Language

mid-interview

Broda vehemently rejects the term 'human resources' (zasoby ludzkie), calling it the 'most disgusting vulgarism' because it reduces an unrepeatable person to a mere commodity.

Why this matters: This is a sharp, contrarian stance that ties his spiritual philosophy directly to a critique of modern corporate and bureaucratic language.

Broda argues that the phrase 'human resources' is a fundamental violation of human dignity. He equates it to a raw material like wood, water, or grain. For him, a person ('osoba') is an unrepeatable, sacred entity, not a resource to be managed or optimized. This linguistic dehumanization is, in his view, the root of many modern problems, where people are seen as tools for profit or efficiency rather than as ends in themselves. This connects to his broader critique of the 'rat race' where a child becomes just another object on a market of objects, valued for its competitive edge (languages, grades) rather than its inherent being.

Nie znoszę gadaniny unijnej, zasoby ludzkie. Wulgaryzm, najbardziej obrzydliwy wulgaryzm. Zasoby ludzkie mogą być zasoby drewna, wód, kamieni, zboża, ale zasoby ludzkie. Sprowadzenie do towaru. (I can't stand the EU gibberish, 'human resources.' A vulgarism, the most disgusting vulgarism. There can be resources of wood, water, stones, grain, but human resources? Reducing a person to a commodity.)

Recommendations

Products, supplements, and tools mentioned in the episode

3 items

Learning to Play a Simple, Traditional Wind Instrument

Practice

Broda advocates for the use of simple instruments like the leaf, a blade of grass, or a straw to teach fundamental lessons about breath, sound, and connection. He contrasts this with the passive consumption of digital media.

Broda's entire pedagogical method is built on this. He doesn't just recommend listening to music, but creating it with the simplest means possible. He tells a story of buying his first traditional pipe for 70 złoty while working a night shift at the port in Gdańsk. The instrument connected him to the stories his father told. He uses these instruments to teach children about physics (aerophones, membranes), biology (breath), and philosophy (the Unison). The practice is about becoming an active participant in the world of sound, not a passive consumer.

vs alternatives

This is presented as a direct alternative to the 'thumb civilization' of smartphones and passive media consumption. Instead of swiping, one is actively creating and connecting.

Personal experience

Broda learned to make sounds with leaves and grass as a child. He later spent his first earnings on a traditional instrument. He demonstrated this live, teaching the host to play a simple instrument and find a 'Unison' with him.

Kiedy mówię dzieciom, widzisz jak myślisz, to to jest to. Po co są komórki? Komórki są po to, żeby ich od czasu do czasu nie odbierać i ją wyłączyć. (When I tell children, you see how you think, this is it. What are cell phones for? Cell phones are for not answering them from time to time and turning them off.)

Also said
“Więc budowałem instrument, żeby tak jak chirurg miał skalpel, a teraz ma elektroniczne urządzenia. (So I built an instrument, so that just as a surgeon had a scalpel, and now has electronic devices.)”— Shows the instrument is a tool for a specific purpose, like a surgeon's scalpel.
Find Learning

Spending Extended Time in Nature Without Digital Distractions

Practice

Broda describes taking children on multi-day trips under the open sky, where they prepare food, make tea from herbs, and learn songs and dances that were first practiced between the forest and the meadow.

This is not a simple walk in the park. It's an immersive experience designed to strip away the layers of modern civilization and reconnect with natural rhythms. The activities—preparing food, making tea, telling stories—are all done in direct connection with the environment. This practice is the foundation of his 'child of the pasture' philosophy, where one learns to 'catch moments' of beauty and wonder directly from the source, not through a screen. It's a direct antidote to the fear parents have of letting their children get dirty or encounter insects.

vs alternatives

This is contrasted with the 'rat race' of modern parenting, where a child's time is filled with structured activities (languages, tutoring) to make them 'competitive,' treating them as an object on a market rather than a being to be nurtured.

Personal experience

Broda's entire childhood was this practice. He describes being a 'child of the pasture,' learning the sounds of nature before human language, and playing games of sensing warm and cold air currents.

Dwa dni, trzy dni pod gołym niebem chłopcy przygotowywali baraninę. Dziewczyny zadbały o robienie herbaty ziół i opowiadanie i chodzenie, szukanie, odbicie tu, tam. (For two, three days under the open sky, the boys prepared lamb. The girls took care of making herbal tea, and telling stories, and walking, searching, a reflection here, there.)

Find Spending

The 'Smile at Yourself in the Mirror' Practice

Practice

As part of his 'self-awakening' protocol, Broda recommends a simple morning practice of forcing a smile in the mirror to trigger genuine gratitude.

This is a practical, almost behavioral, entry point into his deeper philosophy of 'samowzbudność.' He instructs to stand in front of the mirror in the morning, force a smile, and then say, 'God, thank you for what I see. I even like it. Thank you that I can stroke this.' The forced, physical act of smiling is a tool to bypass the mind's despair and create a moment of genuine, embodied gratitude for one's own existence. It's a small, daily ritual to combat the 'mole's hole' of depression.

Personal experience

Broda presents this as a personal practice, a way to start the day by affirming one's own being.

Stajesz o poranku, spróbuj to wypróbować i popatrzysz do lustra, wymuś uśmiech i nagle Panie Boże, dziękuję Ci za to, co widzę. To nawet mi się podoba. Dziękuję ci, że mogę to pogłaskać. (You stand in the morning, try this and look in the mirror, force a smile and suddenly, Lord God, thank you for what I see. I even like it. Thank you that I can stroke this.)

Find The

Notable quotes

Lines worth pulling out — contrarian, specific, or perfectly phrased

5 items
Bardzo szybciusieńko odkrywałem, że już byłem tresowanym psem Pawłowa. Sygnał i reakcja. A co się dzieje ze środkami masowego przekazu? Co się dzieje z cywilizacją kciuka? (Very quickly I discovered that I was already Pavlov's trained dog. Signal and reaction. And what's happening with the mass media? What's happening with the thumb civilization?)
A sharp, critical framing of modern media consumption as a dehumanizing, conditioned response, setting up his entire philosophy as a counter-force.
Nie znoszę gadaniny unijnej, zasoby ludzkie. Wulgaryzm, najbardziej obrzydliwy wulgaryzm. (I can't stand the EU gibberish, 'human resources.' A vulgarism, the most disgusting vulgarism.)
A powerful, unfiltered condemnation of dehumanizing language, linking his spiritual philosophy to a critique of modern bureaucracy.
Jak bardzo cienka granica zanegowania sensu istnienia, kiedy skończysz 80 lat. (How very thin the line is of negating the meaning of existence, when you turn 80.)
A stark, personal reflection on mortality and the fragility of finding purpose in old age, leading into his concept of 'samowzbudność.'
Człowiek powinien zostawić po sobie więcej niż po sobie wziął. ... Złapane chwile. (A person should leave behind more than they took. ... Caught moments.)
A concise summary of his life's philosophy, defining legacy not in material terms but in captured experiences of beauty and connection.
Straszne, nic. Piekło, piekło. Tak może wyglądać piekło. Nic, nic. (Terrible, nothing. Hell, hell. This is what hell can look like. Nothing, nothing.)
A chilling, visceral description of his personal experience of 'nothingness,' which forms the negative foundation of his entire spiritual and philosophical outlook.

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Topics covered

highlander-philosophychildhood-wondercritique-of-modern-mediathumb-civilizationunison-practicenature-connectiongrief-and-lossself-awakeningsamowzbudnosccritique-of-human-resourcestraditional-music-therapyspiritualityeducation-reformnon-verbal-communicationmortality
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